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Despite continued criticism for presenting women in a negative manner, many of the films explored here appear to suggest strong female representation so it will possible to investigate the position of the female from a number of different angles allowing a fluid discussion and counter argument.The passive female roles will be studied from the perspective of the male gaze and abjection, whilst active female roles will be explored from the role of the mother and the outcome of 'The Final Girl'.
INTRODUCTION This dissertation will consider the roles of women in the horror film genre and will deconstruct the way in which the conventions of the horror film prescribe such roles.
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Psycho (1960), The Exorcist (1973), and The Texas Chainsaw Massacre (1974) all represent meta statements in the history of the genre and provide essential examples of the arguments discussed here.
It should also be noted that all three films contain also ambiguous female characters for example; Mrs Bates in Psycho, the 'cross dressing' 'Leatherface' in The Texas Chain Saw Massacre and the possessed Regan in The Exorcist who will all be debated.